Wednesday, July 23, 2008

Scanning Archival Materials

Here are tips and suggestions for scanning old photos and documents.


Database Links for Libraries

Here are a few sources on library collections databases and other software systems that may be of interest to us.



  • Open Source Digital Image Management Took Us from Raging Rivers to Quiet Waters. This is a case study of a library with a fast-growing digital image collection. They were trapped between the under-powered proprietary database suite they'd been using and a pending university-wide move to a large, complex database system. As an interim measure, they adopted a MySQL database, and were very pleased with the results.

  • The phpMyAdmin Project: phpMyAdmin is a tool written in PHP intended to handle the administration of MySQL over the Web. Currently it can create and drop databases, create/drop/alter tables, delete/edit/add fields, execute any SQL statement, manage keys on fields. This is the download and official documentation site.

  • About ACVA: About the Project--Atlantic Canada Virtual Archives. Another case study, including nuts and bolts details about file types, formats, programs used.


  • Organize Your Images in a MySQL Database- Tips for creation of a MySQL database with images. This article is written for individuals wanting to organize personal collections of digital images, but the basic information is applicable for any project.

  • Digital Library Construction Tools: Software from The British Columbia Digital Library. Definitive list of links with brief descriptions. Very complete.

  • Managing websites using Unix--A CVS tutorial. Making and managing a Web site repository using command-line programs and shell scripts. Must try this!

  • How To Set Up A Debian Linux Database Server Using MySQL. Step by step directions from aboutDebian.com--If you decide this is what you want to do, this page tells you exactly how to set up MySQL.


  • How to install MySQL on Ubuntu/Debian. Another approach to installing MySQL on Linux.

  • The Fedora Project: An Open-source Digital Object Repository Management System. This is the original publication of the Fedora project, describing it to other informatics specialists. Fedora is scalable for large, complex digital collections. The Library of Congress uses it, but smaller projects, like online encyclopedias of limited scope find it usable as well.

  • Fedora Commons provides sustainable technologies to create, manage, publish, share and preserve digital content as a basis for intellectual, organizational, scientific and cultural heritage by bringing two communities together. There's an active support community, quick download directions, and many users' online presentations are available for examination.

  • Omeka is a web platform for publishing collections and exhibitions online. Designed for cultural institutions, enthusiasts, and educators, Omeka is easy to install and modify and facilitates community-building around collections and exhibits. Omeka is free and open source. System requirements include: Linux operating system; Apache server (with mod_rewrite enabled); Mysql 5.0 or greater; PHP 5.2.x or greater; ImageMagick


Wednesday, July 2, 2008

This Basswood Bower, My Prison



I lived on the prairie when I started reading English poetry. "Trees" meant small cottonwoods, willows, or silver maples--fast-growing and short-lived, split open by ice storms and high winds. I was in graduate school before I saw a forest, and it was much later that I discovered what Coleridge meant by a "lime-tree bower." (Someday I'll tell you how I imagined "gem-set walls of jasper.")


There was a huge gap between the Romantic poets' natural world and my natural world. For me, "splendor in the grass" calls up big bluestem and buffalo grass, not "England's green and pleasant land." I love Wordsworth, but after visiting the sylvan Wye, I realize I probably don't understand him at all.




This big and fecund basswood tree always reminds me of the gap between my imagination and STC's. I first identified this tree by keying it out in New England, so in my head I call it Tilia. If I want to talk about it around here, I call it "basswood," but in the suburbs, where these trees come from labeled nursery stock, it's a "linden." It was in a graduate course in plant taxonomy that I learned this was Coleridge's "Lime-Tree." Until then, I'd imagined him near a hothouse under a potted plant in the Rubiaceae.


This Lime-Tree Bower my Prison

Addressed to Charles Lamb, of the India House, London

by Samuel Taylor Coleridge

Well, they are gone, and here must I remain,
This lime-tree bower my prison! I have lost
Beauties and feelings, such as would have been
Most sweet to my remembrance even when age
Had dimm'd mine eyes to blindness! They, meanwhile,
Friends, whom I never more may meet again,
On springy heath, along the hill-top edge,
Wander in gladness, and wind down, perchance,
To that still roaring dell, of which I told ;
The roaring dell, o'erwooded, narrow, deep,
And only speckled by the mid-day sun ;
Where its slim trunk the ash from rock to rock
Flings arching like a bridge ;--that branchless ash,
Unsunn'd and damp, whose few poor yellow leaves
Ne'er tremble in the gale, yet tremble still,
Fann'd by the water-fall! and there my friends
Behold the dark green file of long lank weeds,
That all at once (a most fantastic sight!)
Still nod and drip beneath the dripping edge
Of the blue clay-stone.

Now, my friends emerge
Beneath the wide wide Heaven--and view again
The many-steepled tract magnificent
Of hilly fields and meadows, and the sea,
With some fair bark, perhaps, whose sails light up
The slip of smooth clear blue betwixt two Isles
Of purple shadow! Yes! they wander on
In gladness all ; but thou, methinks, most glad,
My gentle-hearted Charles! for thou hast pined
And hunger'd after Nature, many a year,
In the great City pent, winning thy way
With sad yet patient soul, through evil and pain
And strange calamity! Ah! slowly sink
Behind the western ridge, thou glorious Sun!
Shine in the slant beams of the sinking orb,
Ye purple heath-flowers! richlier burn, ye clouds!
Live in the yellow light, ye distant groves!
And kindle, thou blue Ocean! So my friend
Struck with deep joy may stand, as I have stood,
Silent with swimming sense ; yea, gazing round
On the wide landscape, gaze till all doth seem
Less gross than bodily ; and of such hues
As veil the Almighty Spirit, when yet he makes
Spirits perceive his presence.
A delight
Comes sudden on my heart, and I am glad
As I myself were there! Nor in this bower,
This little lime-tree bower, have I not mark'd
Much that has sooth'd me. Pale beneath the blaze
Hung the transparent foliage ; and I watch'd
Some broad and sunny leaf, and lov'd to see
The shadow of the leaf and stem above
Dappling its sunshine! And that walnut-tree
Was richly ting'd, and a deep radiance lay
Full on the ancient ivy, which usurps
Those fronting elms, and now, with blackest mass
Makes their dark branches gleam a lighter hue
Through the late twilight : and though now the bat
Wheels silent by, and not a swallow twitters,
Yet still the solitary humble-bee
Sings in the bean-flower! Henceforth I shall know
That Nature ne'er deserts the wise and pure ;
No plot so narrow, be but Nature there,
No waste so vacant, but may well employ
Each faculty of sense, and keep the heart
Awake to Love and Beauty! and sometimes
'Tis well to be bereft of promis'd good,
That we may lift the soul, and contemplate
With lively joy the joys we cannot share.
My gentle-hearted Charles! when the last rook
Beat its straight path across the dusky air
Homewards, I blest it! deeming its black wing
(Now a dim speck, now vanishing in light)
Had cross'd the mighty Orb's dilated glory,
While thou stood'st gazing ; or, when all was still,
Flew creeking o'er thy head, and had a charm
For thee, my gentle-hearted Charles, to whom
No sound is dissonant which tells of Life.

1797


This Lime-Tree Bower my Prison from The Samuel Taylor Coleridge Archive.